Hume on taste and tragedy
Collingwood on art as amusement
Mill on higher and lower pleasures
The aesthetic attitude and the sublime
Tolstoy and everyday expressivism
Expression and imagination
Collingwood's expressivism
Expression vs expressiveness
Art, science and knowledge
Aesthetic cognitivism, for and against
Imagination and experience
The objects of imagination
Music as the exploration of sound
Sonic art and digital technology
Representation and artistic value
Visual art and the non-visual
The unity of form and content
Literature and understanding
Artist, audience and performer
Painting as the paradigm of art
Nietzsche and the birth of tragedy
Performance and participation
The peculiarities of architecture
Form, function and 'the decorated shed'
Façade, deception and the 'Zeitgeist'
Architecture and understanding
Experimental art and the avant-garde
Objectivism vs subjectivism
The artist's intention and the 'intentional fallacy'
Marxism and the sociology of art
Lévi-Strauss and structuralism
Derrida, deconstruction and postmodernism
