In defense of the 1831 Frankenstein / Nora Crook
The ends of the fragment, the problem of the preface: proliferation and finality in The last man / Sophie Thomas
Mary Shelley and Edward Bulwer: Lodore as hybrid fiction / Richard Cronin
'Don't say "I love you"': agency, gender and romanticism in Mary Shelley's Matilda / Anne-Lise François and Daniel Mozes
Mary Shelley's Valperga: Italy and the revision of romantic aesthetics / Daniel E. White
Gender, authorship and male domination: Mary Shelley's limited freedom in Frankenstein and The last man / Michael Eberle-Sinatra
'The truth in masquerade': cross-dressing and disguise in Mary Shelley's short stories / A.A. Markley
'Little England': anxieties of space in Mary Shelley's The last man / Julia M. Wright
Mary Shelley and Walter Scott: The fortunes of Perkin Warbeck and the historical novel / Lidia Garbin
Mary Shelley and the lake poets: negation and transcendence in Lodore / David Vallins
Lodore: a tale of the present time? / Fiona Stafford
The corpse in the corpus: Frankenstein, rewriting Wollstonecraft and the abject / Marie Mulvey-Roberts
Rehabilitating the family in Mary Shelley's Falkner / Julia Saunders
Public and private fidelity: Mary Shelley's 'Life of William Godwin' and Falkner / Graham Allen.
