Introduction: Placing the Plays of Christopher Marlowe: Fresh Cultural Contexts / Sara Munson Deats and Robert A. Logan
Pt. 1. Marlowe and the Theater
1. "Mark this show": Magic and Theater in Marlowe's Doctor Faustus / Sara Munson Deats
2. Marlowe's Edward II and the Early Playhouse Audience / Ruth Lunney
3. Edmund Kean, Anti-Semitism, and The Jew of Malta / Stephanie Moss
Pt. 2. Marlowe And The Family
4. Hopeless Daughter of a Hapless Jew: Father and Daughter in Marlowe's The Jew of Malta / Lagretta Tallent Lenker
5. Study in Ambivalence: Mothers and Their Sons in Christopher Marlowe / Joyce Karpay
6. Masculinity, Performance, and Identity: Father/Son Dyads in Christopher Marlowe's Plays / Merry G. Perry
Pt. 3. Marlowe, Ethics, and Religion
7. Almost Famous, Always Iterable: Doctor Faustus as Meme of Academic Performativity / Rick Bowers
8. Misbelief, False Profession, and The Jew of Malta / William M. Hamlin
9. Doctor Faustus and the Early Modern Language of Addiction / Deborah Willis
10. Rhetorical Strategies for a locus terribilis: Senses, Signs, Symbols, and Theological Allusion in Marlowe's The Massacre at Paris / Christine McCall Probes
11. Barabas and Charles I / John Parker
Pt. 4. Marlowe and Shakespeare
12. Marlowe, Shakespeare, and the Theoretically Irrelevant Author / Constance Brown Kuriyama
13. "Glutted with Conceit": Imprints of Doctor Faustus on The Tempest / Robert A. Logan
14. Christopher Marlowe: The Late Years / David Bevington.
